Skip to main content

Operating PHOTOGRAPHY LENS

 Have a good look at your camera lens. See the number of nobs, number of rings, abbreviations, and various numbers written on it.

Operating a lens


Study the PDF below
(to be used for educational purposes only)

Begin with removing and fixing your lens back on to the camera body. When doing for the first, and especially if its a new camera model, please consult the user manual also. Please do not use any extra pressure on any part of the camera. They are delicate. The process is,

  • Align the mounting index dots, white to white (cropped frame), or red to red (full frame). The lens sits into the bayonet mount.
  • Rotate the lens though the bayonet mount. For Nikon anti clockwise, and for canon clockwise. This may differ from brand to brand. Rotate till you hear the click/lock sound. Now it is fixed.
  • To remove, keep pressed on the lens release button on the camera and rotate back. The lens comes off into your hand. Make sure you are holding the lens and camera strongly and comfortably, because some lenses and cameras are heavy.

Remember that there is a lens cap in front of the lens. You must remove it before being able to see through the lens.

It is important to note how to hold a camera for clicking an image. Your camera rests on your left hand palm, leaving the fingers free and reachable to manipulate the rings on the lens. You grip the camera with last three fingers of your right hand, leaving your index finger to press the shutter button and manipulate necessary other buttons. Your thumb grips the camera from behind, but is partially free to adjust certain facilities. You may rotate the camera when you need a portrait orientation picture.

In the beginning just begin with camera and lens on auto mode. To put the camera body on auto mode, on mode dial turn to green rectangle or to where its written auto. And lens to AF (auto focus position)Get comfortable with the camera. Click images and review your images

Main function on the lens

Auto/Manual focus switch: switch between these to make the lens focusing auto or manual.

Image stabilisation: (written on Canon as ‘IS’ or ‘stabiliser’; on Nikon, VR (vibration reduction) helps in correction vibrations and small shakes that have happened while taking an image. I recommend placing it always towards on position. Unless you need to see the motion blur etc.

Focal length indicator: it is the spread out focal length numbers across the zoom ring. It indicates at what focal length are you shooting.

Zoom ring: the zoom ring helps in composing the image. It helps to frame the image wide or narrow. You cane frame an image at the widest possibility of a lens or the farthest possibility of a lens by using the zoom ring. It is always done manually. Remember that prime lenses do not have zoom ring.

Focus Ring: after composing the image we use the focus ring to bring clarity to the image. It could be operated on auto mode or manual mode.

Minimum Focus Distance: this is the minimum distance one must maintain from subject to camera lens to be possible to focus. It is indicated on the lens in feet and in meter.

As a user of a camera and lens, one must also learn to clean the camera and lens, the right way and with the right equipment.


Yes. That is it. Start using your lens.

Comments

Popular posts from this blog

The Male Gaze and the Construction of Gender in Visual Culture

 Visual culture encompasses the totality of images, visuals, and visual practices that shape our lived experience. It manifests through art, photography, cinema, design, and countless other forms, representing the ideas, customs, and social behaviours that revolve around visual materials. Visual culture is not merely decorative or informational; it is a powerful force that produces, circulates, and interprets visual forms to construct meanings, shape beliefs, and convey power within specific cultural contexts. From traditional artworks such as paintings and sculptures to mass media like film, television, and advertising, from digital platforms including websites, apps, and video games to everyday objects like fashion, logos, and packaging—all these elements communicate meaning and fundamentally shape our understanding of the world. The quality and impact of visual culture depend on two critical factors: the quality of the visual content created and the nature of the act of see...

Indian Political Spectrum: Left, Right, and Centre

 Left-wing, right-wing, and centre are terms used to describe different positions on the political spectrum. The terms left-wing and right-wing originated from the seating arrangements in the French National Assembly during the French Revolution (1789). Supporters of the King and the traditional social order sat on the president's right side. These were generally considered more conservative and resistant to change. Supporters of the revolution and those advocating for a more egalitarian society sat on the president's left side. These were seen as more progressive and willing to challenge the status quo. Over time, these seating positions became symbolic of broader political viewpoints. The terms "left" and "right" were eventually used to describe the entire spectrum of political ideologies, not just those present during the French Revolution. Left Wing focuses on equality, social justice, and reform. Left-wing ideologies generally believe in reducing econo...

Visual Analysis: SEMIOTICS

 Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation.  In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies . However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, " seeing is an active decision ," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives.  Serious visual analyses requires conscious effort and critical analysis to unravel the ...

The History of Visual Analysis: The Power and Politics of the Image

 The history of visual analysis represents humanity's evolving relationship with images—from cave paintings to digital screens, from religious icons to internet memes. This intellectual journey traces how we have moved from simple description to complex theoretical frameworks that reveal the hidden structures, ideologies, and meanings embedded in visual culture. While visual analysis has ancient roots, its most transformative developments have occurred in the modern and contemporary periods, fundamentally reshaping how we understand the power and politics of the image. Early Foundations The early history of visual analysis established essential methodologies that would later be challenged and expanded. Pliny the Elder 's first-century documentation of artists and techniques in his Natural History represented an empirical approach—cataloging rather than interpreting. This descriptive tradition continued through Giorgio Vasari 's biographical narratives in The Lives of the A...

Sigmund Freud on Creative Writing and Day-Dreaming

 Freud in his essay, Creative Writers and Day-Dreaming, explores the psychological origins of artistic creativity and the impact of literature on readers. He draws parallels between the imaginative activity of creative writers and the day-dreaming of ordinary people. It is a discussion about the relationship between creative art and unconscious phantasy. In it, Freud talks about the role of daydreaming and fantasy in human behaviour, and how creative writers are able to express their daydreams without shame or self-reproach. Read the essay below (for academic use only) Creative Writers and Day Dreaming PDF Freud argues that the child's play and the adult's phantasies/daydreams share a common element—the desire to alter an unsatisfactory reality and fulfil unfulfilled wishes. The creative writer is like a successful daydreamer who is able to transform their private fantasies into works that provide pleasure to the audience. Freud suggests that the writer's choice of subject...

Research: Hypothesis

  A hypothesis states your predictions about what your research would find. Study the PDF below (only for academic use) Hypothesis in Research PDF Hypotheses propose a relationship between two or more variables . It is a tentative answer to your research question that has not yet been proved. A hypothesis is not just a guess — but based on existing theories and knowledge. For some research projects, you might have to write several hypotheses that address different aspects of your research question. A hypothesis has to be testable , which means you can prove or disprove it through scientific research methods, like experiments, observations, statistical analysis, etc. Hypothesis in Research How to develop a hypothesis? Ask a question : Writing a hypothesis begins with a research question that you want to answer. Do some preliminary research : Look for theories and previous studies to help you form educated assumptions about what your research will find. Collect as many observa...

Visual Analysis: LANGUAGE, ELEMENTS, AND GRAMMAR

 Visual communication plays a powerful role in shaping our understanding of the world. Like written and spoken language, visuals employ a complex grammar and system of meaning. Study the PDF below (for academic use only) Visual language, elements, and grammar PDF At its core, visual grammar is comprised of fundamental elements like line, shape, colour, texture, space, and typography. These are the basic building blocks that visual creators assemble and organise using principles like emphasis, contrast, composition, size, proportion, balance, and lighting. Just as words are assembled following the syntactical rules of language, visuals are constructed by purposefully arranging and relating these elemental units. Lines, for instance, can convey a range of associations through their orientation and qualities. Horizontal lines suggest stability and calm, verticals impart a sense of strength and authority, while diagonals imbue dynamism and movement. The weight and curvature of lines fu...