Skip to main content

Art as Form

 There are two ways to understand. First the plain understanding, What determines whether or not a work is art is its possession of significant form. That is, a painting is art if and only if it has a salient design/form. Secondly, in more formalistic manner, an art must possesses a form that is of its own, not seen before. Art must not imitate anything else. Art is celebration of forms, new forms. A painting is "a coloured surface, in which the various tones and various degrees of light are placed with a certain choice; that is its intimate being.” - Hippolyte Taine, The Philosophy of Art (1865).

Study the PDF below

(to be used for academic purposes only)

Art as Form PDF

L’art pour l’art, meaning, Art for art’s sake. The intrinsic value of art, and the only 'true' art, is divorced from any didactic, moral, political, or utilitarian function. Art is autotelic (complete in itself). Art is "inner-directed" or "self-motivated”. Victor Cousin (used this phrase first, 1800s), Theophile Gautier used it to defend his novel (1835), and a number of visual artists promoted the idea  that art existed solely for its own sake, and should not serve any social or moral purpose.

Dont look through Art, instead look at Art. Formalism proposes that everything necessary to comprehending a work of art is contained within the work of art.

What is not there is not important to that particular work of art. The context of the work, the reason for its creation, the historical background, and the life of the artist, are considered to be external to the artistic medium itself, and therefore of secondary importance.

Formalism gravitates toward abstraction. Their aim is not to capture the perceptual appearances of the world, but often to make images noteworthy for their visual organization, form, and arresting design.

Art is devoid of any meaning. It is meaningless. Formalist artist rejected the premise that art must make sense. Art is an autonomous sphere of human creation.

Defamiliarisation: Looking at familiar things and seeing unfamiliar forms. Seeing an object in a totally different light. It is seeing something completely new.

It was a quest for pure art. They rejected obvious subject matter in art. The formalists were freeing art from the narrowness of topics.

Art as Form, Art theories, Formalism, What is art?
Art as formalism


Comments

Popular posts from this blog

Visual Culture

  Visual culture is a multifaceted field that examines the pervasive role of visuals in shaping human understanding, beliefs, and behaviours. It posits that visuals are not merely reflections of reality but rather " constructed realities " that actively influence our perception of the world. At its heart, visual culture positions visuals as the reference and data for knowledge, beliefs, thinking, creations, behaviour, etc.; which in turn further shapes current beliefs, thinking, creations, behaviour, etc. Visuals are images/collection of images that are made to be seen. Framed (made) and put out. This highlights that visuals are not spontaneous occurrences but deliberate constructions, detached from the place and time in which it first made its appearance, says, John Berger . Examples like the contrasting Newsweek and TIME magazine covers of O.J. Simpson illustrate how different framings of the same event can convey distinct messages and narratives, underscoring the idea ...

Visual Analysis: SEMIOTICS

 Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation.  In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies . However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, " seeing is an active decision ," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives.  Serious visual analyses requires conscious effort and critical analysis to unravel the ...

The Brown Sisters: A Four-Decade Portrait of Time and Sisterhood

 Nicholas Nixon's "The Brown Sisters" stands as one of photography's most compelling longitudinal portrait studies, documenting four decades of sisterhood through annual black-and-white photographs taken from 1975 to 2014. Using an 8×10 inch view camera, Nixon captured his wife Bebe and her three sisters—Heather, Mimi, and Laurie Brown—in the same order each year, creating a remarkable visual meditation on time, aging, and familial bonds. For the full set of images see the PDF below (for academic use only) Forty Portraits in Forty Years PDF What began as a spontaneous family photograph in 1975 evolved into a profound artistic documentation of human transformation. The project's strength lies in its methodological consistency: the sisters maintain their positions, with the sequence remaining unchanged throughout the series. This rigid framework paradoxically highlights the subtle changes that occur year by year, creating a powerful commentary on the passage of time...

Screenplay/Script Writing: Ideas, Stories, and the Script

 Stories are Character/s, imaginary or real, aspiring and moving towards a need/goal through adversaries (achieving it with a big idea / super powers) will make one a hero). More elaborately, Character/s, imaginary or real, faced with a conflict/problem/issue/situation and trying to understand/overcome/change it in spite of difficulties / limitations / oppositions from within or without (overcoming/changing it with a big idea / super powers) will make one a hero). Please study the PDF below (only for academic use) Stories and Film Scripting PDF Stories have Shapes Storytelling is an art form that has captivated humans since the dawn of civilisation. Whether through oral traditions, written literature, or visual media, stories have the power to entertain, educate, and inspire. At the heart of every great story lies a carefully constructed narrative that engages the audience and conveys a meaningful message. According to Kurt Vonnegut, stories have shapes, the main ones are Man in th...

Art as Representation

The concept of "art as representation" has been a cornerstone of aesthetic/art theory since antiquity, evolving significantly from its initial formulation as mere imitation to a more nuanced understanding of "aboutness." The historical development of this theory, primarily drawing upon the insights of Plato and Aristotle, and extend to the contemporary "neo-representational" theory, which seeks to encompass a broader spectrum of artistic expression. Study the PDF below (for academic use only) Art as Representation PDF The earliest and arguably most enduring theory of art in Western philosophy is the Mimetic Theory of Art, championed by Plato and his student Aristotle. Derived from the Greek word mimesis , meaning "imitation" or "mimicry," this theory posits that art is fundamentally a reflection of nature. For Plato and Aristotle, an artwork must necessarily be an imitation of something—be it a person, place, object, action, or event. T...

In Pursuit Of Creativity and Becoming One’s Best Version

 A study by Way Walker conducted across painters, poets, musicians, and filmmakers—spanning many outstanding artistic creations and pursuits, domains, genres, and movements—reveal five key discoveries. 1. Don't Go Wide but Go Deep Don't try hard to create something that everyone will like, though that sounds reasonable. The greatest creators did not go wide; they went deeper. They created art for one person, one group, or a younger or future emotional avatar of themselves. It is made for one feeling, one version of self that needed the message the most. The goal of art need not be to make something universal or make something big. Van Gogh did not paint for the world; he painted for his brother. Maya Angelou wrote poetry to address her wounded self. This is the paradox: the more personal it is, the more universal it becomes. You start trying to impress everyone, you end up impressing no one. Go out and touch one person deeply, and you will end up moving thousands. Once you k...

Mass Media: Platforms and Content

 Mass Media today is interplay between technological infrastructure and creative expressions. Mass media, defined as channels of communication designed to reach large audiences, has undergone profound transformation in recent decades. What began as predominantly print-based communication has expanded into a multifaceted ecosystem encompassing visual, audio, and interactive modes of engagement. This essay explores the dialectical relationship between media platforms and content, arguing that the two elements exist in dynamic tension—with platforms shaping content possibilities while content innovations drive platform evolution. As Marshall McLuhan famously observed, "the medium is the message," suggesting that the vehicle of communication fundamentally alters how we perceive and process information. This principle remains relevant as we navigate an increasingly fragmented media landscape characterised by both institutional and user-generated content. The Architecture of Mass M...