Skip to main content

Art as Form

 There are two ways to understand. First the plain understanding, What determines whether or not a work is art is its possession of significant form. That is, a painting is art if and only if it has a salient design/form. Secondly, in more formalistic manner, an art must possesses a form that is of its own, not seen before. Art must not imitate anything else. Art is celebration of forms, new forms. A painting is "a coloured surface, in which the various tones and various degrees of light are placed with a certain choice; that is its intimate being.” - Hippolyte Taine, The Philosophy of Art (1865).

Study the PDF below

(to be used for academic purposes only)

Art as Form PDF

L’art pour l’art, meaning, Art for art’s sake. The intrinsic value of art, and the only 'true' art, is divorced from any didactic, moral, political, or utilitarian function. Art is autotelic (complete in itself). Art is "inner-directed" or "self-motivated”. Victor Cousin (used this phrase first, 1800s), Theophile Gautier used it to defend his novel (1835), and a number of visual artists promoted the idea  that art existed solely for its own sake, and should not serve any social or moral purpose.

Dont look through Art, instead look at Art. Formalism proposes that everything necessary to comprehending a work of art is contained within the work of art.

What is not there is not important to that particular work of art. The context of the work, the reason for its creation, the historical background, and the life of the artist, are considered to be external to the artistic medium itself, and therefore of secondary importance.

Formalism gravitates toward abstraction. Their aim is not to capture the perceptual appearances of the world, but often to make images noteworthy for their visual organization, form, and arresting design.

Art is devoid of any meaning. It is meaningless. Formalist artist rejected the premise that art must make sense. Art is an autonomous sphere of human creation.

Defamiliarisation: Looking at familiar things and seeing unfamiliar forms. Seeing an object in a totally different light. It is seeing something completely new.

It was a quest for pure art. They rejected obvious subject matter in art. The formalists were freeing art from the narrowness of topics.

Art as Form, Art theories, Formalism, What is art?
Art as formalism


Comments

Popular posts from this blog

The Male Gaze and the Construction of Gender in Visual Culture

 Visual culture encompasses the totality of images, visuals, and visual practices that shape our lived experience. It manifests through art, photography, cinema, design, and countless other forms, representing the ideas, customs, and social behaviours that revolve around visual materials. Visual culture is not merely decorative or informational; it is a powerful force that produces, circulates, and interprets visual forms to construct meanings, shape beliefs, and convey power within specific cultural contexts. From traditional artworks such as paintings and sculptures to mass media like film, television, and advertising, from digital platforms including websites, apps, and video games to everyday objects like fashion, logos, and packaging—all these elements communicate meaning and fundamentally shape our understanding of the world. The quality and impact of visual culture depend on two critical factors: the quality of the visual content created and the nature of the act of see...

The History of Visual Analysis: The Power and Politics of the Image

 The history of visual analysis represents humanity's evolving relationship with images—from cave paintings to digital screens, from religious icons to internet memes. This intellectual journey traces how we have moved from simple description to complex theoretical frameworks that reveal the hidden structures, ideologies, and meanings embedded in visual culture. While visual analysis has ancient roots, its most transformative developments have occurred in the modern and contemporary periods, fundamentally reshaping how we understand the power and politics of the image. Early Foundations The early history of visual analysis established essential methodologies that would later be challenged and expanded. Pliny the Elder 's first-century documentation of artists and techniques in his Natural History represented an empirical approach—cataloging rather than interpreting. This descriptive tradition continued through Giorgio Vasari 's biographical narratives in The Lives of the A...

Visual Culture

  Visual culture is a multifaceted field that examines the pervasive role of visuals in shaping human understanding, beliefs, and behaviours. It posits that visuals are not merely reflections of reality but rather " constructed realities " that actively influence our perception of the world. At its heart, visual culture positions visuals as the reference and data for knowledge, beliefs, thinking, creations, behaviour, etc.; which in turn further shapes current beliefs, thinking, creations, behaviour, etc. Visuals are images/collection of images that are made to be seen. Framed (made) and put out. This highlights that visuals are not spontaneous occurrences but deliberate constructions, detached from the place and time in which it first made its appearance, says, John Berger . Examples like the contrasting Newsweek and TIME magazine covers of O.J. Simpson illustrate how different framings of the same event can convey distinct messages and narratives, underscoring the idea ...

Visual Analysis: SEMIOTICS

 Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation.  In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies . However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, " seeing is an active decision ," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives.  Serious visual analyses requires conscious effort and critical analysis to unravel the ...

Visual Analysis: LANGUAGE, ELEMENTS, AND GRAMMAR

 Visual communication plays a powerful role in shaping our understanding of the world. Like written and spoken language, visuals employ a complex grammar and system of meaning. Study the PDF below (for academic use only) Visual language, elements, and grammar PDF At its core, visual grammar is comprised of fundamental elements like line, shape, colour, texture, space, and typography. These are the basic building blocks that visual creators assemble and organise using principles like emphasis, contrast, composition, size, proportion, balance, and lighting. Just as words are assembled following the syntactical rules of language, visuals are constructed by purposefully arranging and relating these elemental units. Lines, for instance, can convey a range of associations through their orientation and qualities. Horizontal lines suggest stability and calm, verticals impart a sense of strength and authority, while diagonals imbue dynamism and movement. The weight and curvature of lines fu...

Sound Recording for Films: A Crucial Element of Cinematic Storytelling

 Sound recording is a fundamental aspect of filmmaking that significantly contributes to the overall cinematic experience. It is the process of capturing and recording audio elements that complement the on-screen visuals. These audio elements form the foundation for creating an immersive auditory experience that enhances the film's storytelling and emotional impact. Study the PDF below (for academic use only) Sound Recording for Films PDF The components of a film's soundscape are diverse and multifaceted. They include dialogues , which are the actors' spoken lines recorded on set or dubbed later; Foley sounds, which represent the actors' interactions with their surroundings and add authenticity to scenes; ambient sound, which creates a subtle background soundscape to transport the audience to the film's environment; music or score, which evokes emotion and enhances the narrative; and sound effects , which augment the film's realism and atmosphere. To capture ...

Mass Media: Platforms and Content

 Mass Media today is interplay between technological infrastructure and creative expressions. Mass media, defined as channels of communication designed to reach large audiences, has undergone profound transformation in recent decades. What began as predominantly print-based communication has expanded into a multifaceted ecosystem encompassing visual, audio, and interactive modes of engagement. This essay explores the dialectical relationship between media platforms and content, arguing that the two elements exist in dynamic tension—with platforms shaping content possibilities while content innovations drive platform evolution. As Marshall McLuhan famously observed, "the medium is the message," suggesting that the vehicle of communication fundamentally alters how we perceive and process information. This principle remains relevant as we navigate an increasingly fragmented media landscape characterised by both institutional and user-generated content. The Architecture of Mass M...