Art Movements: From Renaissance to Realism

Prior to Renaissance there were more of art era than art movements. We arrive at renaissance after Byzantine and Medieval art.

Study the PDFs below

(only for educational purpose)

Art Movements: Renaissance to Realism Part I

Art Movements: Renaissance to Realism Part II

Renaissance was the golden era of Classical Art.

Between 1400 and 1600, Europe witnessed an astonishing revival of drawing, fine art painting, sculpture and architecture centered on Italy, which we now refer to as the Renaissance(French for 'rebirth').

There was gradual move from grand high art to art that is more human and down to earth. The major art movements were

1. Renaissance

In very simple terms, the Italian Renaissance re-established Western art according to the principles of classical Greek art, especially Greek sculpture and painting, which remained unchallenged until Pablo Picasso and Cubism, broadly, modern art.

2. Mannerism

Mannerists introduced tension and strangeness.

3. Baroque

Focused on Grandeur, Details, Realism, Strong emotion, and Lighting contrast.

4. Romanticism

Romantic painters and sculptors tended to express an emotional personal response to life.

5. Realism

Realism was an artistic movement that began in France in the 1850s, after the 1848 Revolution. Realists rejected Romanticism. Realism revolted against the exotic subject matter and exaggerated emotionalism and drama of the Romantic movement.

Art movements, Renaissance, mannerism, baroque, romanticism, realism, with PDFs

Comments

Visual Culture

Visual culture is a multifaceted field that examines the pervasive role of visuals in shaping human understanding, beliefs, and behaviours. It posits that visuals are not merely reflections of reality but rather " constructed realities " that actively influence our perception of the world. At its heart, visual culture positions visuals as the reference and data for knowledge, beliefs, thinking, creations, behaviour, etc.; which in turn further shapes current beliefs, thinking, creations, behaviour, etc. Visuals are images/collection of images that are made to be seen. Framed (made) and put out. This highlights that visuals are not spontaneous occurrences but deliberate constructions, detached from the place and time in which it first made its appearance, says, John Berger . Examples like the contrasting Newsweek and TIME magazine covers of O.J. Simpson illustrate how different framings of the same event can convey distinct messages and narratives, underscoring the idea ...

Visual Analysis: SEMIOTICS

Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation. In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies . However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, " seeing is an active decision ," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives. Serious visual analyses requires conscious effort and critical analysis to unravel the ...

Screenplay/Script Writing: Ideas, Stories, and the Script

Stories are Character/s, imaginary or real, aspiring and moving towards a need/goal through adversaries (achieving it with a big idea / super powers) will make one a hero). More elaborately, Character/s, imaginary or real, faced with a conflict/problem/issue/situation and trying to understand/overcome/change it in spite of difficulties / limitations / oppositions from within or without (overcoming/changing it with a big idea / super powers) will make one a hero). Please study the PDF below (only for academic use) Stories and Film Scripting PDF Stories have Shapes Storytelling is an art form that has captivated humans since the dawn of civilisation. Whether through oral traditions, written literature, or visual media, stories have the power to entertain, educate, and inspire. At the heart of every great story lies a carefully constructed narrative that engages the audience and conveys a meaningful message. According to Kurt Vonnegut, stories have shapes, the main ones are Man in th...

The Male Gaze and the Construction of Gender in Visual Culture

Visual culture encompasses the totality of images, visuals, and visual practices that shape our lived experience. It manifests through art, photography, cinema, design, and countless other forms, representing the ideas, customs, and social behaviours that revolve around visual materials. Visual culture is not merely decorative or informational; it is a powerful force that produces, circulates, and interprets visual forms to construct meanings, shape beliefs, and convey power within specific cultural contexts. From traditional artworks such as paintings and sculptures to mass media like film, television, and advertising, from digital platforms including websites, apps, and video games to everyday objects like fashion, logos, and packaging—all these elements communicate meaning and fundamentally shape our understanding of the world. The quality and impact of visual culture depend on two critical factors: the quality of the visual content created and the nature of the act of see...

Art as Representation

The concept of "art as representation" has been a cornerstone of aesthetic/art theory since antiquity, evolving significantly from its initial formulation as mere imitation to a more nuanced understanding of "aboutness." The historical development of this theory, primarily drawing upon the insights of Plato and Aristotle, and extend to the contemporary "neo-representational" theory, which seeks to encompass a broader spectrum of artistic expression. Study the PDF below (for academic use only) Art as Representation PDF The earliest and arguably most enduring theory of art in Western philosophy is the Mimetic Theory of Art, championed by Plato and his student Aristotle. Derived from the Greek word mimesis , meaning "imitation" or "mimicry," this theory posits that art is fundamentally a reflection of nature. For Plato and Aristotle, an artwork must necessarily be an imitation of something—be it a person, place, object, action, or event. T...

Visual Analysis: INTRODUCTION

Visual analysis is a systematic and scientific examination of visual materials that explores their communicative meaning, aesthetic qualities, and functional impact. As Susan Sontag noted, humans tend to linger in " mere images of the truth ," making it crucial to develop a deeper understanding of visual interpretation. Study the PDF below (for academic use only) Introduction to Visual Analysis PDF The Nature of Seeing: The process of seeing is not as spontaneous or natural as commonly believed. According to John Berger , our way of seeing art has historically been influenced by privileged minorities to maintain social and economic dominance. Visual perception requires conscious effort and is heavily influenced by habits and conventions. The visual faculty consumes approximately two-third of a person’s used energy, highlighting its significance in human experience. The Framework of Visual Analysis: Visual analysis could be traced back to communication models, for exampl...

Early History of Cinema

The late 19th and early 20th centuries witnessed the birth and rapid evolution of cinema as a new artistic and technological medium. Lets us examine the key innovations, pioneers, and early milestones that shaped the beginnings of cinema, from its precursors in motion photography to the establishment of narrative filmmaking techniques. Study the PDF below (for academic use only) History of Cinema PDF The foundations of cinema can be traced to experiments in capturing and displaying motion through photography. In 1878, Eadweard Muybridge 's groundbreaking " The Horse in Motion " used multiple cameras to decompose the movement of a galloping horse into a sequence of still images. This technique presaged the fundamental principle of cinema - the illusion of motion created by rapidly displaying a series of static images. A pivotal moment came in 1888 with Louis Le Prince's " Roundhay Garden Scene ." At just 2.11 seconds long, it is recognised by the Guinness B...

photo.graph.art.design

Search This Blog