Skip to main content

Photojournalism: News Photography

 Photographs of happenings that have news values, and reported immediately. Photography of unexpected occurrences / spot news, or breaking news.  Most news photographs also have documentary value.  Thus serious news photographers are also documentary photographers.

Study the PDF below (for academic use only)

News Photography PDF

Why do we need news photography?

The story becomes tangible with a picture: A picture can let the reader see what a person, or a place, or a building, or an event looks like. The picture shows the news.

The page becomes attractive and inviting to read: Newspapers without pictures do not make the news easy to read. A page without a picture is just a slab of grey text. It looks boring and many people will not bother to read what is written on it.

Provides evidence for the event reported: Since the readers can see it with their own eyes, the photograph takes them to the place of action, and familiarizes them with people and happenings.

Two types of News Photos

The happening: It is the image of the real happening and people. For example the images of an an earthquake, a murder, or a demonstration that happened. It could be images of particular people who are involved with it.

The epitome: This image shows on a small scale a larger reality. For example, one impoverished mother, with no milk to feed her child, watching her baby starve to death communicates the state of poverty in the country. Epitomes are important to news pictures because it is impossible to cover 10,000 people starving.

News Photography is characterised by news values: Timeliness, Prominence, Impact / Consequence, Conflict / Negativity, Proximity, Currency / Relevance, Human interest, and Oddity / Bizarre.

How to go about taking news photography?

  • We never know when a spot news will happen; so be prepared at all times.
  • Be familiar with your camera controls.
  • Having one camera body with a wide-angle lens, and another with a telephoto, gives you options while you work on an event. Some even choose to have two cameras.
  • What matters most are people, take pictures of people with identification.
  • Basic shots: long shot, medium shot, and close up. Remember you cant go back to take more shots.
  • First shoot the usual angles. Shoot from all possible angles. Beyond that look for different and unusual images. Make your photographs stand out.
  • Try to capture the peak and decisive moment. Wait for the right moment.
  • Often you’ll find the best photos either before, or after, an event. Don’t leave right after it’s over. For example, A political candidate may be talking to a family after a news conference. Or a trophy winner may be celebrating with friends.

News Photography, Photojournalism
News Photography

How to caption a news photograph?

  • A caption of the photograph explains what is in the frame and places it in the context.
  • The information must be accurate.
  • The caption can give new information. Don’t just repeat the news headline.
  • Always identify the main people in the photograph. Avoid confusion by stating ‘left to right’. 
  • Whenever possible, use present tense. That creates a sense of immediacy and impact.
  • Conversational language is the best. Write a caption as though you are talking to a friend.
  • The tone of the caption should match the tone of the image. If an image is serious do not try to be humorous.

Comments

Post a Comment

Popular posts from this blog

Visual Culture

  Visual culture is a multifaceted field that examines the pervasive role of visuals in shaping human understanding, beliefs, and behaviours. It posits that visuals are not merely reflections of reality but rather " constructed realities " that actively influence our perception of the world. At its heart, visual culture positions visuals as the reference and data for knowledge, beliefs, thinking, creations, behaviour, etc.; which in turn further shapes current beliefs, thinking, creations, behaviour, etc. Visuals are images/collection of images that are made to be seen. Framed (made) and put out. This highlights that visuals are not spontaneous occurrences but deliberate constructions, detached from the place and time in which it first made its appearance, says, John Berger . Examples like the contrasting Newsweek and TIME magazine covers of O.J. Simpson illustrate how different framings of the same event can convey distinct messages and narratives, underscoring the idea ...

Visual Analysis: SEMIOTICS

 Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation.  In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies . However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, " seeing is an active decision ," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives.  Serious visual analyses requires conscious effort and critical analysis to unravel the ...

The Male Gaze and the Construction of Gender in Visual Culture

 Visual culture encompasses the totality of images, visuals, and visual practices that shape our lived experience. It manifests through art, photography, cinema, design, and countless other forms, representing the ideas, customs, and social behaviours that revolve around visual materials. Visual culture is not merely decorative or informational; it is a powerful force that produces, circulates, and interprets visual forms to construct meanings, shape beliefs, and convey power within specific cultural contexts. From traditional artworks such as paintings and sculptures to mass media like film, television, and advertising, from digital platforms including websites, apps, and video games to everyday objects like fashion, logos, and packaging—all these elements communicate meaning and fundamentally shape our understanding of the world. The quality and impact of visual culture depend on two critical factors: the quality of the visual content created and the nature of the act of see...

Screenplay/Script Writing: Ideas, Stories, and the Script

 Stories are Character/s, imaginary or real, aspiring and moving towards a need/goal through adversaries (achieving it with a big idea / super powers) will make one a hero). More elaborately, Character/s, imaginary or real, faced with a conflict/problem/issue/situation and trying to understand/overcome/change it in spite of difficulties / limitations / oppositions from within or without (overcoming/changing it with a big idea / super powers) will make one a hero). Please study the PDF below (only for academic use) Stories and Film Scripting PDF Stories have Shapes Storytelling is an art form that has captivated humans since the dawn of civilisation. Whether through oral traditions, written literature, or visual media, stories have the power to entertain, educate, and inspire. At the heart of every great story lies a carefully constructed narrative that engages the audience and conveys a meaningful message. According to Kurt Vonnegut, stories have shapes, the main ones are Man in th...

Art as Representation

The concept of "art as representation" has been a cornerstone of aesthetic/art theory since antiquity, evolving significantly from its initial formulation as mere imitation to a more nuanced understanding of "aboutness." The historical development of this theory, primarily drawing upon the insights of Plato and Aristotle, and extend to the contemporary "neo-representational" theory, which seeks to encompass a broader spectrum of artistic expression. Study the PDF below (for academic use only) Art as Representation PDF The earliest and arguably most enduring theory of art in Western philosophy is the Mimetic Theory of Art, championed by Plato and his student Aristotle. Derived from the Greek word mimesis , meaning "imitation" or "mimicry," this theory posits that art is fundamentally a reflection of nature. For Plato and Aristotle, an artwork must necessarily be an imitation of something—be it a person, place, object, action, or event. T...

Visual Analysis: INTRODUCTION

  Visual analysis is a systematic and scientific examination of visual materials that explores their communicative meaning, aesthetic qualities, and functional impact. As Susan Sontag noted, humans tend to linger in " mere images of the truth ," making it crucial to develop a deeper understanding of visual interpretation. Study the PDF below (for academic use only) Introduction to Visual Analysis PDF The Nature of Seeing: The process of seeing is not as spontaneous or natural as commonly believed. According to John Berger , our way of seeing art has historically been influenced by privileged minorities to maintain social and economic dominance. Visual perception requires conscious effort and is heavily influenced by habits and conventions. The visual faculty consumes approximately two-third of a person’s used energy, highlighting its significance in human experience. The Framework of Visual Analysis: Visual analysis could be traced back to communication models, for exampl...

Early History of Cinema

 The late 19th and early 20th centuries witnessed the birth and rapid evolution of cinema as a new artistic and technological medium. Lets us examine the key innovations, pioneers, and early milestones that shaped the beginnings of cinema, from its precursors in motion photography to the establishment of narrative filmmaking techniques. Study the PDF below (for academic use only) History of Cinema PDF The foundations of cinema can be traced to experiments in capturing and displaying motion through photography. In 1878, Eadweard Muybridge 's groundbreaking " The Horse in Motion " used multiple cameras to decompose the movement of a galloping horse into a sequence of still images. This technique presaged the fundamental principle of cinema - the illusion of motion created by rapidly displaying a series of static images. A pivotal moment came in 1888 with Louis Le Prince's " Roundhay Garden Scene ." At just 2.11 seconds long, it is recognised by the Guinness B...