Design Thinking Explained

Design thinking is a process of problem solving. It is imagining and reimagining SOLUTIONS for a particular PROBLEM. Design thinking is solving problems in a user-centric way. The heart of design thinking is the USER. Design thinking is a dynamic process.

Study the PDF below (for academic use only)

Design Thinking PDF

Thinking towards a solution

1. Empathize

To empathize is to understand the needs of the end-user or customer.

2. Define

Define is to organize the information you have gathered during the empathize stage. Call the problem by its name.

3. Ideate

It is the process of generating ideas.

4. Prototype

Prototypes are early samples, models, or releases of products built to test a concept or process.

5. Test

Testing tries out, evaluates the product, feature or prototype with end user.

Comments

The Male Gaze and the Construction of Gender in Visual Culture

Visual culture encompasses the totality of images, visuals, and visual practices that shape our lived experience. It manifests through art, photography, cinema, design, and countless other forms, representing the ideas, customs, and social behaviours that revolve around visual materials. Visual culture is not merely decorative or informational; it is a powerful force that produces, circulates, and interprets visual forms to construct meanings, shape beliefs, and convey power within specific cultural contexts. From traditional artworks such as paintings and sculptures to mass media like film, television, and advertising, from digital platforms including websites, apps, and video games to everyday objects like fashion, logos, and packaging—all these elements communicate meaning and fundamentally shape our understanding of the world. The quality and impact of visual culture depend on two critical factors: the quality of the visual content created and the nature of the act of see...

The History of Visual Analysis: The Power and Politics of the Image

The history of visual analysis represents humanity's evolving relationship with images—from cave paintings to digital screens, from religious icons to internet memes. This intellectual journey traces how we have moved from simple description to complex theoretical frameworks that reveal the hidden structures, ideologies, and meanings embedded in visual culture. While visual analysis has ancient roots, its most transformative developments have occurred in the modern and contemporary periods, fundamentally reshaping how we understand the power and politics of the image. Early Foundations The early history of visual analysis established essential methodologies that would later be challenged and expanded. Pliny the Elder 's first-century documentation of artists and techniques in his Natural History represented an empirical approach—cataloging rather than interpreting. This descriptive tradition continued through Giorgio Vasari 's biographical narratives in The Lives of the A...

Visual Analysis: SEMIOTICS

Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation. In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies . However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, " seeing is an active decision ," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives. Serious visual analyses requires conscious effort and critical analysis to unravel the ...

Visual Culture

Visual culture is a multifaceted field that examines the pervasive role of visuals in shaping human understanding, beliefs, and behaviours. It posits that visuals are not merely reflections of reality but rather " constructed realities " that actively influence our perception of the world. At its heart, visual culture positions visuals as the reference and data for knowledge, beliefs, thinking, creations, behaviour, etc.; which in turn further shapes current beliefs, thinking, creations, behaviour, etc. Visuals are images/collection of images that are made to be seen. Framed (made) and put out. This highlights that visuals are not spontaneous occurrences but deliberate constructions, detached from the place and time in which it first made its appearance, says, John Berger . Examples like the contrasting Newsweek and TIME magazine covers of O.J. Simpson illustrate how different framings of the same event can convey distinct messages and narratives, underscoring the idea ...

The Violent and the Violated on the Same Canvas

Violence bleeds with the stories of the violent and the violated. This observation cuts to the heart of one of the most profound and uncomfortable truths about violence: the complete narrative of violence must encompass both the hand that strikes and the face that receives the blow, both the system that crushes and the body crushed beneath it. To tell only half the story—to focus exclusively on victims' suffering or perpetrators' actions—is to miss the terrible human complexity that makes violence possible, sustainable, and repeatable across history. Guernica , a massive black-and-white antiwar painting by Pablo Picasso , depicting a scene of chaos, suffering, and the brutal realities of war, with figures of a bull, a screaming horse, a fallen soldier, and grieving women, makes us see both the violator and the violated in war. In 1937, the Spanish town of Guernica was destroyed by Nazi bombers supporting Francisco Franco 's fascist forces during the Spanish Civil War . Th...

Indian Political Spectrum: Left, Right, and Centre

Left-wing, right-wing, and centre are terms used to describe different positions on the political spectrum. The terms left-wing and right-wing originated from the seating arrangements in the French National Assembly during the French Revolution (1789). Supporters of the King and the traditional social order sat on the president's right side. These were generally considered more conservative and resistant to change. Supporters of the revolution and those advocating for a more egalitarian society sat on the president's left side. These were seen as more progressive and willing to challenge the status quo. Over time, these seating positions became symbolic of broader political viewpoints. The terms "left" and "right" were eventually used to describe the entire spectrum of political ideologies, not just those present during the French Revolution. Left Wing focuses on equality, social justice, and reform. Left-wing ideologies generally believe in reducing econo...

Sound Recording for Films: A Crucial Element of Cinematic Storytelling

Sound recording is a fundamental aspect of filmmaking that significantly contributes to the overall cinematic experience. It is the process of capturing and recording audio elements that complement the on-screen visuals. These audio elements form the foundation for creating an immersive auditory experience that enhances the film's storytelling and emotional impact. Study the PDF below (for academic use only) Sound Recording for Films PDF The components of a film's soundscape are diverse and multifaceted. They include dialogues , which are the actors' spoken lines recorded on set or dubbed later; Foley sounds, which represent the actors' interactions with their surroundings and add authenticity to scenes; ambient sound, which creates a subtle background soundscape to transport the audience to the film's environment; music or score, which evokes emotion and enhances the narrative; and sound effects , which augment the film's realism and atmosphere. To capture ...

photo.graph.art.design

Search This Blog