Skip to main content

Elections Make Democracy Distinct

 We are entering the election year. We are entering the most vulnerable phase of our democracy. The most exposed and susceptible point of a democracy is during its elections. It is the time where money and power do their dirtiest jobs. It is the time when people, even MLAs and MPs are not spared, are bought and sold like slaves; and people allow themselves to be sold and bought like pigeons in the market. A country or an organisation becomes vulnerable during elections because it could become an exercise of demonstration of mindless tyranny of the majority.

In Democracy Power Is a Fundamental Right

There are many forms of governments, but only in modern democracy people hold power as a fundamental right. In every other form of government the ruled are at the mercy of the rulers. Monarchies are absolute; a republic is authoritarian with power in the hands of a few; in oligarchy power is held by a small group of powerful and wealthy people, often they are hidden from the people; a dictator has no limits to his power; he rules though force and fraud; in theocracy force and fraud are disguised and veiled in the holy name of god.

People devoid of ordinary powers make up a system that is bound to fail. Power gives people voice; and it is essential for a free and just society. Masses with power hold leaders accountable; if the leaders do not perform well, they can be voted out of office. When people have a say in who governs them, they are less likely to resort to violence to express their dissatisfaction. They encourage civic engagement and participation in the political process. Democratic elections help to promote diversity and tolerance in a country. People should not be afraid of their governments. Governments should be afraid of their people, says, Alan Moore.

Free and Fair Elections

Elections are the quintessential possibility of a democracy. Elections are opportunities to clean up. Every five years we have an opportunity to clean up the filth. That is why the ruling party or leaders fear elections. Erdogan of Turkey has changed the constitution to expand his powers, and has cracked down on dissent. Xi Jinping of China has abolished term limits for the president. This has led
to concerns that Xi may be planning to rule China for life. Vladimir Putin of Russia has changed the constitution twice to allow him to stay in power longer. Alexander Lukashenko of Belarus has been accused of rigging elections and suppressing dissent. He has refused to step down. The list could go on.

Thank God India still has leaders who respect the verdict of the elections. Though most institutions of the country that ensure free and fair elections, like the election commission, judiciary, media, etc. are already tampered with. In a democracy with elections in place people still have the power to clean up the filth. For India, General Elections 2024 is Swachh Bharat 2024.

Developing Political Consciousness

Democracies decay when its people become apolitical and naively get attracted to strong leaders than democratic leaders. Voting is to make sure that everyone is included and has equal rights. Democracy is not rule by strength, and not even by mere numbers, but by a system where everyone is included; and everyone has the possibility to be heard and has the capacity to live their lives.

elections, democracy,

Apoliticism is apathy or antipathy towards all political affairs and affiliations. They have no interest and remain uninvolved at the face of even the severest matters of concern. Some even have an aversion to politics or political affairs; and parade it as a spiritual value. Both Political leaders as well as the voters can go apolitical. Political party leaders become apolitical when they move along with large corporations, to achieve their profit goals; that reduces a democracy to commerce or business model in which groups, parties and even companies invest to make profit. General public becomes apolitical when their voting is based on non-critical factors that do not support the wellbeing of all peoples: such as the distribution of resources or status. Perhaps the success of Indian erred democracy is that it managed to make a large majority of Indians apolitical. When people become apolitical, democracy gets reduced to just majoritarianism. What does not concern the majority will not concern the nation and the government.

People Will Reject Violence

Party politics has become an unethical battlefield, thriving on intolerance, corruption, and violence. None of them will stand the test of time in an advanced, civilised society.

Politicians must give up intolerance and violence; embrace understanding, empathy, and kindness. People must reject those politicians who refuse to promote peace and tolerance. When someone’s path to the top is marked with cruelty, they have failed the first test of an advanced society, said J B Pritzker, an American philanthropist and 43rd governor of Illinois. When we see someone who does not look like us, sound like us, act like us, love like us, or live like us, the first thought that crosses our mind is rooted in fear or judgement, or both. That is part of evolution. We survived as a species by being suspicious of things that we are not familiar with. In order to be kind we have to shut down that animal instinct and force our brain to travel a different path. Empathy and compassion are evolved states of being. They require the mental capacity to step past our most primal forces. Empathy and kindness too are political.

Written as TOGETHER editorial.

Comments

Popular posts from this blog

‘Layers of Meaning’ Makes the Difference Between a Good and a Great Visual Design

  Visual Design, coming under the broader umbrella of visual art or visual aesthetics, has the limitation of finding common accepted grounds considering a design being design-worthy or not, because aesthetics is very subjective; and each one has one’s own standards of beauty and elegancy. It is difficult to categorically pinpoint why a design looks great or why a design looks ordinary. Comparative study between designs might help us cut the clutter. I place on table two cover designs I have made with the same brief for the Together magazine. I would like to clarify why I went with the option that finally sent to the publication; that might tell the difference also between a good visual design and a better visual design. Understanding Layered Designs  The design process begins when the designer receives the oral or writer brief from the publication. Then begins the rigorous non-linear process of understanding the idea/brief (empathising), outlining the idea in clear categori...

Fan Ho’s Street Photography

 The history of 20th-century street photography is incomplete without recognising the monumental contribution of Fan Ho. A master of light, shadow, and human connection, Ho captured the soul of mid-century Hong Kong , transforming everyday moments into timeless works of art. His unique vision blended a keen eye for geometry with a profound understanding of human dignity, leaving behind a body of work that continues to inspire and resonate. Fan Ho was born in Shanghai in 1931 and emigrated to Hong Kong in 1949, arriving at a moment of profound historical rupture when the city was rapidly transforming into a modern metropolis teeming with refugees, traders, and labourers. Armed initially with a simple camera given to him by his father, he began photographing the street life of the city as a teenager and would continue refining this practice over the course of six decades. Study the PDF below (for academic use only) Fan Ho's Street Photography PDF To fully appreciate Fan Ho’s photogr...

Compassion Fatigue

  What does one do when one’s compassion cup goes dry and empty; when one comes to a point where there is nothing more left to give? I lost my mother very recently. She was 93. For the last two and a half years, she was ill, and for the last one and a half years, she was bedridden. Though all her children, when they visited her, used to be generous in taking care of her needs, it was my brother and his wife who took care of her day in and day out. They did an amazing job; they regulated their daily routine to make sure that mother did not lack anything, they sacrificed their possible travels and outdoor fun activities to make sure that there was someone with mother always. As days passed, weeks passed, months and years passed, I could see exhaustion and a certain level of irritation setting in with them. There were feelings of helplessness and powerlessness in the face of distress and pain, for medically they could do nothing more for mother, except to give palliative care . Other...

Indian Political Spectrum: Left, Right, and Centre

 Left-wing, right-wing, and centre are terms used to describe different positions on the political spectrum. The terms left-wing and right-wing originated from the seating arrangements in the French National Assembly during the French Revolution (1789). Supporters of the King and the traditional social order sat on the president's right side. These were generally considered more conservative and resistant to change. Supporters of the revolution and those advocating for a more egalitarian society sat on the president's left side. These were seen as more progressive and willing to challenge the status quo. Over time, these seating positions became symbolic of broader political viewpoints. The terms "left" and "right" were eventually used to describe the entire spectrum of political ideologies, not just those present during the French Revolution. Left Wing focuses on equality, social justice, and reform. Left-wing ideologies generally believe in reducing econo...

Visual Analysis: SEMIOTICS

 Visual analysis is a systematic and scientific approach to examining visual materials that goes far beyond casual observation.  In our visually saturated world, images have become a inescapable universal language that shapes our perceptions, attitudes, and experiences. From the artworks adorning gallery walls to the advertisements lining city streets, visuals communicate narratives, evoke emotions, and reflect sociocultural ideologies . However, the process of seeing and interpreting visuals is not as spontaneous or natural as we often assume. As John Berger notably stated, " seeing is an active decision ," suggesting that the process of interpreting visuals is neither spontaneous nor natural, but rather requires conscious effort and critical thinking. The way we perceive and interpret visual content is heavily influenced by habits, conventions, and our individual perspectives.  Serious visual analyses requires conscious effort and critical analysis to unravel the ...

The 'Last Supper' of Vincent van Gogh: ‘Café Terrace at Night’

 In the autumn of 1888, during one of the most prolific periods of his artistic life in Arles, France, Vincent van Gogh produced what would become one of his most celebrated night scenes: Café Terrace at Night. Painted in September of that year and now housed in the Kröller-Müller Museum in Otterlo, Netherlands, the work depicts a lit café terrace on the Place du Forum spilling its warm amber light onto cobblestoned streets under a canopy of stars. On its surface, it is a masterwork of Post-Impressionist urban life — intimate, luminous, and quietly alive. Yet for more than a century, a persistent and provocative theory has shadowed the painting's reception: that Café Terrace at Night is not merely a depiction of a nocturnal café scene, but a deliberate, veiled, reimagining of Leonardo da Vinci's The Last Supper. Proponents of this theory, most notably the Flemish art historian Jef van der Burgh, argue that van Gogh encoded Christian iconography within the composition through th...

Millet’s Gleaners Is a Social Commentary

  Jean-François Millet's  The Gleaners (1857) is a seminal work of the Realist movement, noted for its unflinching yet dignified portrayal of the rural poor. It represented a critical turn in 19th-century art that brought the lowest ranks of rural society to the forefront of high art. Exhibited during a time of post-revolutionary tension (following the 1848 French Revolution), the painting was viewed with suspicion by the bourgeoisie and conservative elites. The three women represent the rural, poor—authorised to gather leftover wheat. Critics of the time perceived the painting as a nod to revolutionary sentiment, with some interpreting the three figures as a form of rebellious commentary on the social inequality in post-1848, France.  The Gleaners, 1857,   Jean-François Millet, Oil on Canvas, in:  Musée d'Orsay, Paris. A Mirror to Class Inequality: Millet juxtaposes the hunched, impoverished women in the foreground with the abundant harvest and carts full...