photo.graph.art.design

 The journey of human artistic expression spans millennia, evolving from primitive cave paintings to today's digital creations and conceptual installations. This evolution reflects not just changing techniques and materials, but also the transforming human consciousness, societal values, and technological capabilities across different eras. Study the PDF below (for academic use only) Evolution of Art PDF Prehistoric Era (Before 8th Century BCE): The dawn of human artistic expression began in prehistoric times, characterised by raw, primal representations of daily life, hunting scenes, and spiritual beliefs. Cave paintings and rock art served as humanity's first canvas, using natural pigments to capture the essence of their existence. These early artists laid the foundation for all future artistic expression, demonstrating humanity's inherent need to create and communicate through visual means. Classical Period (8th Century BCE - 5th Century CE) : The Classical period, domi

 Today is Sunday. I began my day with my usual Catholic Sunday service; standing in the middle of a church, filled with faith filled, convinced, and uncomplicated people, praying, singing, sharing, and celebrating. There was energy, there was vibe, there was devotion, and nothing lacked from the usual Sunday services. But from people walking into the church, to the entrance hymn, to the recessional hymn to people walking back home; everything looked and felt like being in an automated mode. Nothing unexpected happened, and nothing unexpected was even expected. Nothing unanticipated was heard, no one was expected to listen to anything that is unanticipated. It was a ritual performed and participated in the most ritualistic manner as possible. It was a kind of implosion into once own faith, certainties, and, age-old practices. Nothing is neither further clarified nor challenged. Later in the day I was at Chitra Shante (Art Fair) by Karnataka Chitrakala Parishath , which had artworks by

  Though art is endlessly changing, its ability to make worlds meet is constant: the worlds of the artist and the art consumers break into conversation, the subjects in a piece of art and the audience pause to converse. Initiating conversations is perhaps the greatest modern virtue. Our world, in this era of alternative facts, propaganda, thought control, and post-truth, is more polarised and divided than ever before. Most are stuck in their own petite filter bubbles and echo chambers. We are diametrically opposed to each other on virtually every issue that matters -climate, citizenship, refugees, racism, caste, gender –you name it. Exclusive black and white, left and right, for and against is the new mantra for political success. The rest of the population, in between the poles, is ignorantly comfortable and indifferent. To be in a state of being talkable, or people to be in a position to converse is made tougher by people getting offended by the slightest of disapproval. Of course, t

  Art is never finished, only abandoned is a famous saying of Leonardo da Vinci. His life and work bear witness to this fact. His great Mona Lisa took 16 years to become what we see as Mona Lisa today. He was never satisfied, he kept drawing over it time and again. Finally he in fact died without completing it; or it may be more right to say, many times completed it but without finishing or perfecting it. Apparently the renaissance masterpiece Mona Lisa was commissioned by a businessman to paint the picture of his wife. Perhaps the businessman was never satisfied by what was painted. Whether Mona Lisa was a real woman is still a mystery by itself. Mona Lisa When most secular women in paintings had a stiff appearance, Mona Lisa has a relaxed appearance. Mona Lisa has a triangle composition to bring the gaze of the audience directly to her face. And I guess Da Vinci had reason for it. He wanted us to see her face and its features. Most women up to then in secular paintings never looked

 Though the world knows Leonardo da Vinci as one of the greatest artist, he had not considered himself as an artist. Considering his stature today, he did not many art-works to his credit. In a letter to the duke of Milan da Vinci wrote a letter to consider him for a job. In that he explained his skills in engineering, building bridges, and military equipment, etc. Only at the end in the 11 th paragraph of the letter did he say that he also could paint. Leonardo's Notebook What reveals Leonardo to us is his famous notebook. He had a habit of writing and sketching his ideas on a notebook. Even the great work Vitruvian Man is an image from his notebook. His notebook writings and scribbles had around 13000 pages. On his notebooks he wrote in mirror script. Nobody could easily read it, unless a mirror is placed against it. He did it that way perhaps to hide his initial thoughts from others because most of them were from his fertile imagination, and were not tried and proved. But today

 There is no precise definition of the term Modern Art: it remains an elastic term, which can accommodate a variety of meanings. Art historically, Modern Art means works produced during the approximate period 1870-1970.  A s per artistic style, traditions of the past have been thrown aside in a spirit of experimentation . A tendency away from the narrative (which was characteristic for the traditional arts).  Inclination towards abstraction is characteristic of much modern art. Study the PDFs below (only for academic purpose) Art Movements: Modern Art to Contemporary Art Part I PDF Art Movements: Modern Art to Contemporary Art Part II PDF Impressionism  Originated with a group of Paris-based artists whose independent exhibitions brought them to prominence. Eventually became the world's most famous painting movement. Paved the way for the wholly non-naturalist abstract art of the 20th century. Impressionism focused on the almost impossible task of capturing fleeting moments

 Prior to Renaissance there were more of art era than art movements. We arrive at renaissance after Byzantine and Medieval art.  Study the PDFs below (only for educational purpose) Art Movements: Renaissance to Realism Part I Art Movements: Renaissance to Realism Part II Renaissance was the golden era of Classical Art.  Between 1400 and 1600, Europe witnessed an astonishing revival of drawing, fine art painting, sculpture and architecture centered on Italy, which we now refer to as the Renaissance(French for 'rebirth'). There was gradual move from grand high art to art that is more human and down to earth. The major art movements were                1. Renaissance In very simple terms, the Italian Renaissance re-established Western art according to the principles of classical Greek art, especially Greek sculpture and painting, which remained unchallenged until Pablo Picasso and Cubism, broadly, modern art.                2. Mannerism Mannerists introduced tension and

 We have examined successive attempts to define Art: the representational theory,  the expression theory, formalism, the aesthetic theories. All attempted to provide comprehensive definitions of all art, but each of them appears inadequate in some way to identify all and every art. On the one hand, people grew familiar with arts of other cultures . On the other hand there have been the diverse creations of the avant-garde,   which with their radical departures from conventional practice consistently challenged settled ideas of art. Study the PDF below (only for academic purposes) Art: Further Debates PDF Art is an Open Concept . Morris Weitz believed that the central error of preceding philosophers of art was that, by assuming that art could be defined, they treated art as a closed concept rather than as an open concept . It is an argument that any attempt to define/fix art must fail necessarily. Morris Weitz’s   Art as Open Concept argument . Art is expansive.   Therefore, art m

 Art raises the viewers/audience/readers to an Aesthetic Experience. Art is in pursuit of beauty and elevation of taste. Study the PDF below (only for academic use) Art as Aesthetics PDF What is an Aesthetic Experience? Is it to do with beauty standards? Is it making art look pretty or soothing? Aesthetics < aesthesia (gk) Means the ability to experience sensation, perception, or sensitivity. The opposite is anesthesia -the loss of sensation, a state of non-feeling. Aesthetics is the way in which art addresses spectators . What capacity does a work have to open up viewers’ senses ? Here the emphasis is primarily on the experiencing subject rather than the object that gives rise to the experience.Art raises one to a contemplative state. This contemplative state is called Aesthetic Experience. Audience seek out art works for aesthetic experience. Going for performances, cinema, or reading a book. Through creativity and originality artists strive towards providing aesthetic exp

 There are two ways to understand. First the plain understanding, What determines whether or not a work is art is its possession of significant form. That is, a painting is art if and only if it has a salient design/form. Secondly, in more formalistic manner, an art must possesses a form that is of its own, not seen before. Art must not imitate anything else. Art is celebration of forms, new forms. A painting is "a coloured surface, in which the various tones and various degrees of light are placed with a certain choice; that is its intimate being.” - Hippolyte Taine, The Philosophy of Art (1865). Study the PDF below (to be used for academic purposes only) Art as Form PDF L’art pour l’art , meaning, Art for art’s sake. The intrinsic value of art, and the only 'true' art, is divorced from any didactic, moral, political, or utilitarian function. Art is autotelic (complete in itself). Art is "inner-directed" or "self-motivated”. Victor Cousin (used this phrase

 For centuries, representation was taken to be the central, defining feature of art. The emphasis of Representation theories of art was on the outward aspects of things. In a loose sense of the word, art was primarily concerned with the objective features of the “ external ” world. By the mid 19 th century, artists began to turn inward ; they explored their own subjective experiences. Even while depicting landscapes (external realities) they attempted to register their reactions - the way they felt - about the landscapes. (they were not just mirroring nature) Artists were becoming more attentive to the subjective or “inner” world of experience . That gives birth to a new art theory, “Art as Expression”. Study the PDF below (to be used for educational purposes only) Art as Expression PDF Impressionism, though its an independent art movement, expressed more of the impressions of the passing moment and qualities of light as seen by subjective artists. We can see the beginning

Our minds work through images. some images determine the course of our lives. Its imagination that gives us new paths and visions. Study the PDF below. (to be used for educational purposes only) Image and Imagination PDF IMAGE                          > Idea                          > The seen                          > Appearance                          > Mental picture                          > Public impression We all have an image of a family. It has come about by repetitive reinforcement. From the above picture you will have no difficulty in identifying who is who in the family. Its stereotypical. When we see anything different than this we agitate saying its abnormal. Actually, IS OUR BEHAVIOUR NORMAL? We act the way we act because of the images in our minds. IMAGINATION The act or power of forming a mental image not present to the senses or never before wholly perceived in reality.                     > Forming new idea                     > Creativity   

In different times and in different places and in different context Art critiques, thinkers have made efforts to understand the underlying essence of a piece of Art.   Most were limited to their own times and philosophy of the world and human persons. Fortkochi, Kerala They were at finding ‘necessary conditions’ and ‘sufficient conditions’ for the truth of the statement that an item is an ‘art work’ . We go back to the first of such an attempt. It was the Greeks who first said, Art is Imitation of nature.  And they broadened it saying, Art is Representation. Study the PDF below.  (to be used for educational purposes only) Art as Representation PDF Most art we do and we encounter on a day today basis are all imitation of nature. Those who are able to do it best are the best artists. What makes them to be candidates for Art is the  attribute of Verisimilitude they posses. More similar they are better they are appreciated.  Nothing is an artwork, unless it is an imita

  What is art? How do we find ‘ necessary conditions’ and ‘sufficient conditions’ for the truth of the statement that an item is an ‘art work ’? Art-work Vs. Mere real thing Study the PDF below. (to be used for educational purposes only) Art PDF In Indian Epistemology, when its complicated to name or define a thing or force, we don't say what it is. We instead say what it is not.  Its expressed as neti neti (not this, not this). Here too we look around us and see everything that exists. Everything that exists is broadly categorised into two. 1. Nature : those that are already there. They came about through the big bang or creation or evolution whichever. In other words they are naturally there. That which is nature is not ART. Thus rivers, trees, pets, wild animals, human beings etc. etc. fall out of the umbrella of art. 2. Culture : Those that have come into being through human creation or intervention. Art is part of culture. though everything in culture is not art. Th

Jesus the Guru at St. Anthonys Shrine Jesus the Guru, in Buddhist meditative posture, at St. Anthony’s Shrine in St. Anthony’s Friary campus, in Bangalore, expresses the modern, inclusive inter-religious Indian Christian Psyche -thanks to constant inter-religious interactions and dialogues that is happening. This perhaps is the result of the search by serious Indian Christian theologians and artists to have an image of Jesus that people of India can relate to. We could call it an Indian Jesus.  Here in the shrine, this large sized relief work of serene image of Jesus has a cathartic effect on people who arrive here with various difficulties and challenges of everyday life. This central image of Jesus gives direction to, scattered, and at times misdirected, personal Christian devotions to saints and other pieties.